West Space – Offsite

West Space Offsite is our digital publishing platform in support of our artistic program.

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List

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Themes

José Da Silva, On rūḥ al-rūḥ – jan-e janān
2025

A close up film still of Tina with pursed lips blowing air on to a lit candle.

Patricia Reed, Choral Stories and Interdependent Vocality (Thinking with Tina Stefanou’s Motet Fail)
2026

A close up of the edge of a brick wall with salt piled on the top and a photograph leaning on it. In the background there is a dancing figure projected on hanging fabric.

Bobuq Sayed, On Queer(y)ing a nation
2026

Close-up of a brick wall with a whole pomegranate and a black and white photograph of a person with their arms extended placed amongst the bricks.

Behrouz Boochani, On Elyas Alavi
2025

$A rectangular covered in small square mirror pieces is hung from the ceiling with light refracting off it onto a wooden floor.$

Daniel Browning, On Ali Tahayori
2025

A person wearing white and holding a red piece of of fabric projected through sheer draped curtains.

Angelita Biscotti, States of fluidity with Ayman Kaake
2025

A tall tower of thin marble sheets stacked at even increments with a black power cord extending to the right plugged into a powerpoint on a white wall.

Sary Zananiri, On making and unmaking with Kia Zand
2025

A woman can be seen through the hole in a suspended coil of pipes.

McKenzie Wark, Hermaphroditus Live: On Andrea Illés
2025

Andrea Illés, 'no rock no flower' (detail), 2025.

V Barratt, no rock no flower
2025

Speckled grey and white blurry image.

Bea Rubio-Gabriel , a slight tilt forward
2025

Debris Facility, Metabolic Discard: On Rosie Isaac’s Bathtub Analogy + Tip Test + Total Dissolved Solids
2025

A large cream and white shell sits under a bunch of various native flower, of different shapes and colours, in front of a vibrant red background. Petals lie on the surface surrounding the shell.

Fayen d'Evie, Rockpools
2025

A portrait of Katie West in a suede silver long sleeve top and light wash jeans in front of a framed photography piece. The photograph shows a shell and flowers on a vibrant background.

Katie West and Michael Gentle, Conversation on Rockpools
2025

A living room with pictures on the walls, two wooden cabinets, a glass table and antique decor.

Michelle Antoinette, Inheritance: a Vietnamese-Australian ancestral legacy carried in 5 tables, 2 coins, and numerous other precious objects and actions
2025

Some large leafy palms in foregrounding an old heritage manner. potentially the front of the house, it has 3 rounded gate ways and is one story. The colour of the building is murky and worn.

Amelia Winata, Phuong Ngo: Inheritance
2025

A background of deep blue squares with white intersections hosts a number of photographic pieces and square post it notes with white handwritten messages.

Eleanor Scicchitano, Antarctica: convergence and compilations
2025

A collage of two monochrome images, one small image of a bee which sits on top of a larger scratchy monochrome image.

Ena Grozdanić, Taarn Scott: Somewhere Between Abundance
2025

A photograph of a young girl holding a soft toy standing on a green couch in a living room.

Sadaf Zekaria, The job you never applied for and can't escape
2025

Two figures are in discussion holding microphones at the front of the artists' exhibition window display. The window is exhibiting a screen with text installed on a large black vertical pole. They are both smiling and in dialogue assumably about the work. In front of them is an open blanket-like cloth holding a chopping board covered in a specific plant-like matter or material.

Ronen Jafari, Unpacking Power in Family Dynamics with Alyssa Powell-Ascura
2025

Gabriela Renee, The place I do not know is the place I am looking for
2025

A black and white photo of Aasma Tulika sitting on a chance with sound equipment for her performance.

Recompositions
2025

Folded pieces of cardboard squeezed between a pile of cat litter.

Sally Molloy and Joanna Kitto, On Holding and Being Held
2025

The back of some people sitting on the chairs looking at two people with ladder in front of a wall painted with human shapes.

Emily Hubbard and Elyssia Bugg, On Keith Haring, Public Art and Influence
2025

Melissa Ratliff, Tongue becomes hand becomes world: Akil Ahamat’s storytelling in the dark
2024

Akil Ahamat, Sarah Rodigari and Sebastian Henry-Jones, Conversation on Extinguishing Hope
2024

Images of an industrial ceiling, split into two parts in a single portrait image.

Gail Priest and Joy Zhou, Underheard: sharing listening
2024

Seven people weaving in a dimly lit room around a green table. Two standing and five sitting with a basket and four candles on the table.

Lorna Munro, ARKAN & IRBELA: A Blak Matriarchal Lens
2024

Sebastian Henry-Jones, On ARKAN & IRBELA
2024

Two people sitting on chairs with a table in-between holding glasses of water, one person speaking into microphone. Maroon abstract painting displayed on the wall behind them and yellow cushions in front of them on the wood floor.

Gabi Briggs and Julie Gough, Conversation on ARKAN & IRBELA
2024

A film still from Basim Magdy's film 'FEARDEATHLOVEDEATH'. A close up shot of an eye with the reflection of a face within the iris. The whole image is cast in red colour.

Joanna Kitto, On storytelling and subversion
2024

A detail shot of four fingers with long ballerina shaped acrylic nails. The nails are painted a beige tone with two coloured dots on each end of the nail.

Archie Barry, Wall drawing (I know you are out there somewhere)
2024

Black and white speckled image of a large crowd sitting in front of a screen.

Moments from the Stranger than fiction Symposium
2024

A large projection of a figure standing from the waist up. The film is in Black and White

wani toaishara, a most beautiful experiment
2024

A close up detail of a relief print of a dress made of muslin fabric. There are loose threads that are visible.

Elijah Money, Unravelling Rivals
2024

A close up detail of an artwork by Lhotse Collins. The artwork is a slab of unfired wild clay with two swirling lines that has been sculpted into the circular tablet of clay

Lily-rose Pouget, Concrete Womb: Re-imagining Urban Water
2024

A hot pink / purple ven-diagram-like image of two overlapping female figures and faces. One of the images in the second circle frame is turned to appear upside down.

Annabel Brown, Today I am alive, and without nostalgia the night flows
2024

An elongated landscape image comprising of digital images - cropped and placed in an amplitude-like sequence in different scales. There is one same recurring bald figure in different settings per image.

Sebastian Henry-Jones, A popular game for the people
2024

A crafted blue and white plate on the ground.

Chris Ng, Where you from?
2023

A deep yellow and red close up of a work, with subject matter comprising of 3 camels, a human figure and lizards and snakes.

Ender Başkan, Optimal Listening
2023

A photograph of Nahid, HOSSEI's mother. She is looking up towards the skys, lighting fills the background of the image.

Sebastian Henry-Jones, HOSSEI: THUNDERBLOOM
2023

People watching videos displaying on three screens in the dark.

Rachelle Koumouris, THE SOUND OF HONEY
2023

A pixelated image of an orange and brown yabby on top of a bright blue background.

Chantelle Mitchell and Jaxon Waterhouse, The Waltz of the Yabby
2023

Channon Goodwin, Run to Paradise: West Space as a Micro-Utopia
2023

An install shot, the focal work being a large black and white suspended material comprising of 2 large triangles on the left and right. Below the work there are around 30 large scattered leaves on the floor. Around it are other smaller less-focal works including a white table in the backdrop, another suspended work - smaller with chains - and some framed wall pieces.

Sebastian Henry-Jones, On the importance of breaking rules
2023

Two figures sitting down in a panel discussion, on green stools. Behind them is a large projection with some diagramatic images of packaging and cutlery settings. One male-appearing figure has their hand in the air gesturing as they speak into a microphone. The other has amore mellow expression with their legs crossed in thought.

Unison Symposium
2023

Ahmet Öğüt, The Anti-Shock Doctrine
2023

Zhanna Kadyrova, Russian Rocket
2023

Noor Abuarafeh, Only the Earth Doesn't Tell its Secrets
2023

An elderly woman standing beneath a framed black and white portrait photograph of a man with a moustache

Ateş Alpar, What We Carry
2023

Grace Culley and Sebastian Henry-Jones, Surprised face; Heart eyes
2023

A person with their hand touching a silver sheet behind a wall of thread draping down.

Amelia Wallin, One Thing After Another
2023

People eating in a circle on the grass.

Olga Svyatova, Они/They
2023

A paper poster in English and Vietnamese to save the Vietnamese bilingual program at Footscray Primary School, stuck to a yellow pole.

Sebastian Henry-Jones, Speaking two things at once
2022

Sebastian Henry-Jones, Nói hai điều cùng một lúc
2022

Victoria Pham and Joel Sherwood Spring, TERRA: Memory & Soil
2022

Casey Carsel, To Build A Home
2022

Sarita Gálvez, Strings of Sustenance: Feeling/sensing/spinning weeds
2022

A front on, black and white drawing of a bird, possibly a magpie, against a white background.

Anna Louise Richardson, Augury – The diary of birds – Part 1
2022

Anna Louise Richardson, Theia Connell and Rebecca Dagnall, Augury – The diary of birds – Part 2
2022

View of an umbrella from beneath.

Anna Emina El Samad , Inherited Memory
2022

Two people sitting and speaking to the microphone.

Tarik Ahlip, Lara Chamas and Samira Farah, Paradise, Beauty and Violence
2022

A street view of a double rainbow in the sky.

Leila el Rayes, Introduction to Casual-Paradise
2022

A car plate with the name 'Hades' on the back of an Audi car.

Sofiyah Ruqayah, green poem
2022

View of a bright pink sunset sky.

Shareeka Helaluddin, It is only through dreaming I have found the divine
2022

Close-up of a hand with henna on it.

Hana Pera Aoake, Imagination and other spaces
2022

Tabitha Prado Richardson, vibration/body/heart
2022

Sebastian Henry-Jones, Introduction to Favourable Conditions
2022

A person with a blue outfit standing in front of some furnitures and decors.

Jane Polkinghorne, The Year of Denim
2022

A cream and blue building with windows, doors, and the sign "BRISBANE BIKE WRECKERS".

Sarah Poulgrain, Wreckers Walkthrough
2022

Aunty Barbara McGrady, Bodies in Motion
2022

Close-up of a colourful cake decorated with grapes, raspberries and multicoloured icing.

Cakes by Hoogy, Bake-down Breakdown
2022

Seelan Palay, The New World Awaits, Those With Stendhal Syndrome (An Artist’s Statement)
2022

Arben Dzika, Freed From Desire
2022

A diamond gridded glass window pane sitting against a pile of concrete tubes.

to listen, not to preserve
2022

Rosemary Forde, The Paradox of Paradise
2022

Sebastian Henry-Jones, How do we find each other in the dark?*
2022

Isabella Hone-Saunders, And Seb started thinking about the birds
2022

Tahmina Maskinyar and Talia Smith, Introduction to A border can have no boundaries
2022

Basel Abbas & Ruanne Abou-Rahme, day end in dark blue
2022

Bahar Sayed, dogs and light
2022

A world map titled 'Age of Enlightenment'.

Megan Cope, Age of Entitlement
2022

A person sitting in front of the window on the left screen and a shadow on the right screen.

Samia Sayed, Last dance with you, Samia
2022

The Region: Dialogues on the power and precarity of artist self-organisation in the Asia-Pacific
2022

Sophia Cai, #CASUALFAN, an Introduction to Sincerely Yours
2022

An aerial view of a pile of decorative plates sitting on a purple-blue carpet. A pink plate sits off to the side on its own.

Jinghua Qian, One Night Snatch, or Brother Wang’s guide to eating out in Tashkent
2022

Bts's Jungkook and Jimin

Natasha Hertanto, Best of Me
2022

Black and white photograph of five people sitting at a desk with three of the people's faces covered by varying emojis.

Diego Ramirez, What do you like about vampires?
2022

A round cake with an image of two figures printed on it and decorated around the edge with yellow and green icing and rainbow sprinkles.

Sunanda Sachatrakul, Honolulu, 2002
2022

Jessyca Hutchens, Introduction to The Mulka Project
2021

A handful of quandongs.

Maya Hodge and Jenna Rain Warwick, (story) Loading… a thread between sisters
2021

Elijah Money, Let’s go Home Together
2021

Bernadette Hardy, Balawaa (no one is left behind)
2021

Nicole Reilly, Documenting
2021

Alice Skye, Am I allowed to say your name?
2021

Alistair Ott, This body that holds me
2021

Taneshia Atkinson, return to wala
2021

Brianna McCarthy, Sand Dreams
2021

Close-up of a flower garland laying on the ground.

Maile Bowen, Kuleana
2021

Tais Rose Wae, Other Words for Love
2021

Mykaela Saunders, Warm Possibilities
2021

Four people doing sign language at their own space.

Work in Progress, Work in Lockdown
2021

J and Harriet Jones, 1 : 1 : infinity issue 5: empty chairs sit between us
2021

Holly Craig, Benjamin Hancock and Janice Florence, Imprints on the Unseeable Space
2021

Amelia Wallin, On dust, touch, erosion, translation, circulation, intermingling, entanglements
2021

Carmen Papalia, Open Access: Accessibility As Temporary, Collectively-Held Space, 2020
2021

Lizzie Boon and Jennifer Justice, Scores
2021

Janaleen Wolfe and Katie West, Scores
2021

Fayen d'Evie and Harriet Jones, 1 : 1 : ♾
2021

Holly Craig and Georgina Kleege, Scores
2021

To Catch a Thing in Flight
2021

Language already in the air…
2021

Amelia Wallin and Arini Byng, Artist Walks
2020

Aerial view of a person hanging off the side of a building with traffic beneath them.

Andy Butler and Nat Thomas, Artist Walks
2020

Amelia Wallin and Abbra Kotlarczyk, Artist Walks
2020

A light purple flower with green leaves mirrored on a black background.

Atong Atem and Lucreccia Quintanilla, On Merri Creek
2020

Tamsen Hopkinson, The act of listening: Introduction to Performing the Archive
2020

Phil Dadson, Between Worlds
2020

Phil Dadson, 10 Sound Stories
1975-2020

Huni Mancini, We Carry Their Voices
2020

Lucreccia Quintanilla, Call
2020

David Chesworth, Indexing the Cylinder
2020

Andy Butler, Introduction to Points of Connection
2020

Nikki Lam , 03:20
2020

Lesley-Anne Cao, Tender Machine / Nothing to Time
2019 - 2020

Camila Galaz, STUDIO VLOG
2020

A person wearing a white tank top lying on a bed reading a book.

James Nguyen, Porniniso
2020

Jazz Money, through the moon
2020

Red cleaning cloth with a smudgy painted animal and the written words 'Needless Anxieties' on it.

Rafaela Pandolfini, Introduction to Myths & Facts
2021

Samuel Karmel, Myths & Facts Mix
2021

The billboard is positioned in a country setting with blue a sky, long grass

Jazz Money, Myths & Facts Mix
2021

Close-up view of a purple sky through the branches and leaves of a tree.

Zakia Sewell, Myths & Facts Mix
2021

EN. V, Myths & Facts Mix
2021

Myths & Facts Mix
2021

Jeanette Little, Myths & Facts Mix
2021

Improvements & Reproductions
2020

Rafaella McDonald, Untitled 1
2020

Lorraine Connelly-Northey, Narrbong
2020

The front of a worn down building with a red accented door and window and a textile collage of the word 'MEOW' hanging on the wall. A person stands in front of the door holding a piece of red fabric.

MeowTV (Carmen-Sibha Keiso with Meow), MeowTV Episode
2018-2019

Spencer Lai, Moral inventory
2020

William Yang, The Party After the Mardi Gras, R.H.I Showground
2020

William Yang, Erwin Olaf Opening
2020

Josey Kidd-Crowe, Debt Forgiveness
2020

Isadora Vaughan , Resus
2020

Katie West, calico dyed with wandoo bark
2020

A row of ceramic sculptural letters on the floor and up against a wall reading the word 'Improvable'.

Mark Smith, Improvable
2019

An artwork made with repurposed bed sheets, dyed fabric, LED candles, and shoe keyrings.

Rafaella McDonald, How ___ relates to a pair of pants, I’m not sure
2020

A split screen with the left screen showing a foggy blue skied city view and the left screen showing a hazy pink and grey sky.

Georgia Robenstone, Power Without Glory
2020

Reparation Hardware
2020