West Space Offsite is a digital platform for publishing artist-led content and writing that supports and extends our exhibition program.

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A black and white photo of Aasma Tulika sitting on a chance with sound equipment for her performance.

Recompositions
2025

A photograph of a young girl holding a soft toy standing on a green couch in a living room.

Sadaf Zekaria, The job you never applied for and can't escape
2025

The back of some people sitting on the chairs looking at two people with ladder in front of a wall painted with human shapes.

Emily Hubbard and Elyssia Bugg, On Keith Haring, Public Art and Influence
2025

The lower part of a person wearing stripe shirt and black pants sitting on a bench..

Gail Priest and Joy Zhou, Underheard: sharing listening
2024

Melissa Ratliff, Tongue becomes hand becomes world: Akil Ahamat’s storytelling in the dark
2024

Seven people weaving in a dimly lit room around a green table. Two standing and five sitting with a basket and four candles on the table.

Lorna Munro, ARKAN & IRBELA: A Blak Matriarchal Lens
2024

A film still from Basim Magdy's film 'FEARDEATHLOVEDEATH'. A close up shot of an eye with the reflection of a face within the iris. The whole image is cast in red colour.

Joanna Kitto, On storytelling and subversion
2024

A close up detail of a relief print of a dress made of muslin fabric. There are loose threads that are visible.

Elijah Money, Unravelling Rivals
2024

A close up detail of an artwork by Lhotse Collins. The artwork is a slab of unfired wild clay with two swirling lines that has been sculpted into the circular tablet of clay

Lily-rose Pouget, Concrete Womb: Re-imagining Urban Water
2024

Annabel Brown, Today I am alive, and without nostalgia the night flows
2024

Sebastian Henry-Jones, A popular game for the people
2024

Chris Ng, Where you from?
2023

A photograph of Nahid, HOSSEI's mother. She is looking up towards the skys, lighting fills the background of the image.

Sebastian Henry-Jones, HOSSEI's THUNDERBLOOM
2023

A watercolour painting of blue abstract marks against white paper. The marks were drawn with the help of yabbies crawling across the author Chantelle Mitchell's paper.

Chantelle Mitchell and Jaxon Waterhouse, The Waltz of the Yabby
2023

Ahmet Öğüt, The Anti-Shock Doctrine
2023

Grace Culley, Studio visit
2023

Sebastian Henry-Jones, Speaking two things at once
2022

Victoria Pham and Joel Sherwood Spring, TERRA: Memory & Soil
2022

Casey Carsel, To Build A Home
2022

Sarita Gálvez, Strings of Sustenance: Feeling/sensing/spinning weeds
2022

Anna Emina El Samad , Inherited Memory
2022

Leila el Rayes, Introduction to Casual-Paradise
2022

Sebastian Henry-Jones, Introduction to Favourable Conditions

to listen, not to preserve
2022

Tahmina Maskinyar and Talia Smith, Introduction to A border can have no boundaries
2022

The Region: Dialogues on the power and precarity of artist self-organisation in the Asia-Pacific
2022

Sophia Cai, #CASUALFAN, an Introduction to Sincerely Yours
2022

Jessyca Hutchens, Introduction to The Mulka Project
2021

Work in Progress, Work in Lockdown
2021

Amelia Wallin and Arini Byng, Artist Walks
2020

Atong Atem and Lucreccia Quintanilla, On Merri Creek
2021

Tamsen Hopkinson, The act of listening: Introduction to Performing the Archive
2020

Andy Butler, Introduction to Points of Connection
2020

Rafaela Pandolfini, Introduction to Myths & Facts
2021

Improvements & Reproductions
2020