Georgia Robenstone
Power Without Glory

Two rectangular screens sit side by side, hanging on a white wall. The left screen shows a person looking off to the side, with blonde curly hair and a cigarette behind their ear. On the right screen is an aerial view of several buildings and a busy carpark.
Georgia Robenstone, ‘Power Without Glory’, 2020, two channel moving image, 5 min 47 sec, installation view: West Space, Collingwood Yards, 2020. Photography courtesy of Aaron Christopher Rees.

The roles of social agency and collective action in the fight for public space are key concerns for artist Georgia Robenstone. Her two-channel video work, Power Without Glory, explores the changing social, material and political conditions that “transform” suburbs. This video reuses local found footage—from pop culture, Youtube videos, advertising—together with loosely associative imagery shot by the artist. The work takes its title from Frank Hardy’s novel of the same name, an illegally published piece of 1950’s social realism set in the suburb of “Carringbush”, a fictionalised version of Collingwood. Hardy’s novel criticised the corruption of Melbourne’s local Labor politicians through thinly veiled fictionalisations. From the brutal colonisation of unceded lands, the gridded city plans imported from Europe, the subterranean pathways of cables, to the rhetoric of real estate agencies, Power without Glory speculates on ongoing forces of gentrification that shape cities and displace communities.

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The image shows a window on the left side and on the right, two screens suspended on the wall side by side. The screens both shows images looking out through windows.
Georgia Robenstone, ‘Power Without Glory’, 2020, two channel moving image, 5 min 47 sec, installation view: West Space, Collingwood Yards, 2020. Photography courtesy of Aaron Christopher Rees.
Front on installation view of two screens fixed at eye level on a white wall. The right screen depicts a top down view of many city blocks with red and green roofing. The left screen displays a satellite image of a dry landscape.
Georgia Robenstone, ‘Power Without Glory’, 2020, two channel moving image, 5 min 47 sec, installation view: West Space, Collingwood Yards, 2020. Photography courtesy of Aaron Christopher Rees.

Georgia Robenstone is an artist and writer currently based in Naarm/Melbourne, Australia. She has recently returned from studying at Glasgow School of Art in Scotland. She lives and works on the unceded land of the Wurundjeri people of the Kulin Nation, and pays her respects to their Elders past, present and emerging.