rūḥ al-rūḥ – jan-e janān
Elyas Alavi, Ayman Kaake, Ali Tahayori and Kia Zand
15 Nov → 31 Jan 2026
Gallery

'rūḥ al-rūḥ – jan-e janān', 2025, installation view, West Space, Collingwood Yards. Photography by Janelle Low.
rūḥ al-rūḥ – jan-e janān brings together artists Elyas AlaviAyman KaakeAli Tahayori, and Kia Zand, each with anchors to West and Central Asia, to assemble their queer identities as testimony.

In this collective presentation within the West Space gallery the artists convene to share what has been inherited, imposed, spoken and unspoken, offering a dialogue for queer liberties that have existed long before the western gaze.

This is the first occasion Alavi, Kaake, Tahayori and Zand have exhibited together, a collaboration unfolding over months of conversation, listening and bearing witness to genocides and despotic regimes across homelands and to hamwaṭani (kin).

rūḥ al-rūḥ – jan-e janān is an enquiry into borderless solidarity, survival inscribed between the folds of concealment and visibility, speaking to cosmologies of love that extend beyond the self.

Curated by Tahmina Maskinyar.

Program

Artist talk, Sat 29 Nov, 12.30 → 3pm

Elyas Alavi, Ayman Kaake, Ali Tahayori and Kia Zand share their experience of collaborating together and talk about the artworks they have created for rūḥ al-rūḥ – jan-e janān, convened by Tahmina Maskinyar, West Space Curator. Following the discussion each artist will activate the works through performance.

View the exhibition roomsheet.

rūḥ al-rūḥ – jan-e janān is supported by Creative Australia.

On the left side of the image four sheer curtains are draped with a silhouette projected through them. To the right there is a constructed brick wall with a neon blue light attached to it, and a pile of marble sheets in the centre of the image.
This photograph shows three artworks in the gallery: on the left, Ali Tahayori’s Queers Were Here Before They Arrived; in the centre, Ayman Kaake’s Testing the Water; and on the right, a partial view of Elyas Alavi’s دیوار | Divāl.
A tall pile of marble sheets sitting on a wooden plank floor and framed in the centre of the image by two draped sheets of sheer fabric.
A tall tower of thin marble sheets stacked at even increments with a black power cord extending to the right plugged into a powerpoint on a white wall.
Close-up of a tall stack of thin marble sheets evenly spaced with varying amounts of chipping on each one.
A brick wall sitting on a diagonal to the white walls of the gallery space with a glowing blue neon light hanging on the right side.
A folded sheet of paper with black hand written text wedged into the gap of a brick wall.
Close-up of a brick wall with a whole pomegranate and a black and white photograph of a person with their arms extended placed amongst the bricks.
On the left hand side of the image, a part of Elyas Alavi, 'دیوار | Divāl', 2025 can be seen, while on the right hand side Ayman's work is shown on an angle.
A person wearing white and holding a red piece of of fabric projected through sheer draped curtains.
A rectangular covered in small square mirror pieces is hung from the ceiling with light refracting off it onto a wooden floor.
Two people stand in front of a mirrored mosaic artwork showing their abstracted reflections and dappled light :)
Close-up of Ali’s work, showing on it's reflective surface Elyas Alavi’s دیوار | Divāl (2025).
Elyas stands in front of his artwork made of a free standing brick wall, topped with salt and lined with a neon sign and small photographs. He is wearing all black and white shoes.
Ayman Kaake standing with his arms behind his back in front of four draped sheets of sheet fabric with a projection going through them.
Ali stands in front of his mirrored mosaic artwork in a dark room. He is wearing dark pants and a yellow singlet.
Kia stands in front of his structure made of layers of white marble. He is wearing black pants and a patterned olive green top. He is smiling and looking at the camera.

Elyas Alavi is an Afghanistan born Hazara artist in Naarm/Melbourne. His multi-disciplinary practice examines the intersections of displacement, memory, gender, and sexuality through painting, installation, moving image, poetry and performance. Alavi examines the complex intersections of race, displacement, memory, gender and sexuality accounting for hyper-invisibilities and troubling received notions of culture and belonging. His work complicates histories in the SWANA region and thinks through the links between the globalised condition, settler colonialism, and who is implicated in the mobility and displacement of Black and Brown bodies.

Ayman Kaake is a Lebanon-born Australian photo-media visual artist. His practice encompasses various mediums, including contemplative photographic portraiture, video works, and sculptures. Through his art, Kaake delves into the complex themes of diasporic melancholy, the agony of exile and socio-political subjects, utilising contemplative portraiture and sculptural, styled poses.

Ali Tahayori is an Iranian-Australian artist who lives and works on Gadigal and Dharug lands. His practice ranges from expanded photography to moving images and installation. Tahayori’s practice sits at the intersection of queer and diasporic subjectivities, exploring notions of home, identity, and belonging from a person of SWANA (South West Asia and North Africa) region perspective. He works with materials such as glass, mirrors and family archives. His practice combines a discourse about diaspora and displacement with an exploration of queerness - in both cases, poignantly testifying to his experience of being othered.

Kia Zand is an interdisciplinary artist based in Naarm (Melbourne), Australia. Drawing on his mixed Iranian inheritance, he works across analogue photography, sculpture, and sound, exploring the spaces between and within geological, cultural, and political boundaries. His work primarily explores themes of identity, queer secrecy, and how bodies and materials carry memory and knowledge. Zand began his career as an industrial photographer and filmmaker at the National Oil and Gas Company in the south-west of Iran, a zone marked by histories of diversity and colonial footsteps. After relocating to Isfahan and later migrating to Melbourne as an asylum seeker, he completed a degree in film and a Master of Contemporary Art at the Victorian College of the Arts in 2023.

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