Stranger than fiction Performance
Andrea Illés
9 Aug → 31 Aug 2024

A woman stands behind a door against a wall during a performance. Someone is holding a bright pink light that is shining on her and lighting the room.
Andrea Illés performs as part of 'Stranger than fiction', 2024, West Space Studio. Photography by Kenneth Suico.

The Stranger than fiction evolutive program continues with Andrea Illés' durational livestream performance, grappling with the Sisyphean task of image-making as true representation of the self.

The artist occupied her studio - directly above West Space - making images with her body, viewable both in-person and transcribed by screens, in the gallery, or on our computers or phones. The audience was asked to decide how to view Andrea's transcription.

Andrea Illés writes, "I am looking to classical sculpture, myth, and my experiences to expand how a body, it's stories, and its failures can be comprehended.

My research originates from an inability to hold or move my body in positions and alignments that make images that reflect how I understand myself. I search for figurations that hold a glimmer of my self-image and try to replicate them in front of audiences. This is an impossible task, I can never posture myself into the grace of Daphne or Hermaphroditus, even if my body position is accurate. You can never fully understand how I am feeling or vice versa. Both the failure and the faithful attempt are important to me.

In my experience, 'full' empathy is myth. When trying to understand space or feeling we flatten their dimensions. Flattening can diminish understanding but it can also elevate understanding beyond the confusion of spatial or verbal communication or even the simplifying power of categorisation, especially when it is accompanied by complicating elements. A flattened image with complication can offer a glimpse of something inexplicable.

With an interested in the relationship between narrative and binaries like deception<>truth; real<>imagined; inside<>outside, I am performing for several consecutive days, methodically translating image and experience. This plays out in front of a camera, that acts as a mirror, while the faltering translations, and the transitions between them, become a score."

A woman sitting in front of a computer bathed in red light uses a webcam reflection to do her eyeliner.
A figure bathed in Pink and Red light stands behind a blue door that has black and white pictures of marble statues taped to it. On the door it says "S4 WEST SPACE"
A group of people watching Andrea Illes perform in a small room bathed in red light. Andrea is rolling around on the floor performing
A blurred image of a camera set up for a livestream. There is a figure on the screen crawling toward the camera
A mac computer sits on the desk in the West Space Office. On the screen we see a livestream performance and people watching.
A view of Andrea Illes on livestream on a mac computer in the office of West Space Gallery. A blurred figure sits in the background
A hand outstretched holds an iphone watching a livestream performance. On the phone screen we see a woman holding a microphone with long curly hair.

Andrea Illés is a performance artist whose auto portraits explore the relational chasm between self and other. Merging dance, text, sound, and video, her enquiry emerges from the agony and euphoria she feels being perceived. Often working with states of overwhelm, Andrea is interested in the possibilities found in intense experience. Andrea was an artist in residence in the West Space Studio from February to August 2024.

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