Kiron Robinson
Kiron Robinson uses a range of mediums including neon, video, photography and installation to investigate the idea of doubt and failure as constructive devises. Continually chasing ways of articulating that, which by its own definition, is beyond articulation, leads to a paradoxical reasoning in Robinson’s work which unravels as it constructs. Materials are chosen and placed with great care.
Kiron Robinson graduated from the Victorian College of the Arts in 2004, where he currently works as a lecturer in the Photography department. Robinson exhibits his work nationally and internationally. Including Immanent Landscape, Kurumuya Museum, Japan (2011), Here’s the tender coming (Whoopee) We’re all going to die, Pallas Project, Dublin (2011), If I take the time will I get it back, Sarah Scout, Melbourne (2010) Unseen Forces, Institute of Contemporary Art, Sydney (2010) And the Difference Is, NUS, Singapore (2008); 17th of December 1987, West Space, Melbourne (2008); Octopus 8, Softness in the Rock, Hope in Disappointing Times, Gertrude Contemporary Art Space, Melbourne (2008); Manila Bites, Green Papaya Art Space, Manila (2008). From 2005 – 2007 Robinson was a Gertrude Contemporary Studio resident.
